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Showing posts from January, 2017

The Rest of 2016, Part 4

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In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time, I've got a Tim Burton fantasy book adaptation, Tom Hanks and Clint Eastwood, and a surprisingly good duo of Russell Crowe and Ryan Gosling. Miss Peregrine's Home for Peculiar Children  - Not a waste of time.  This was a surprisingly entertaining fantasy film. Miss Peregrine's definitely has its own share of writing and editing problems, but the solid visual effects and generally good performances (especially from the child actors) mask them pretty well. The pacing is a little variable and drags a bit in the second act; however, the clim

The Rest of 2016, Part 3

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In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time around, I've got an unexpected sequel that's not really a sequel, a weird but stellar indie flick, and Natalie Portman... 10 Cloverfield Lane  - Buy it.  10 Cloverfield Lane is one of the best thrillers I've seen in the past several years. It builds tension incredibly well between good and bad, truth and lies, and character vs. character. John Goodman and Mary Elizabeth Winstead are fantastic and give very believable performances in their respective roles. Dan Trachtenberg's direction is stunningly good for a first-timer as well. Ju

The Rest of 2016, Part 2

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In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time, I've got Emma Watson, some birds with hot tempers, and musical Irish boys for you... Colonia  - Skip it.  Quite bland. Emma Watson is decent as usual, and Daniel Bruhl does a pretty good job too. However, they're not able to really do that much with their characters because of a poorly written script and a lot of cliched moments. The filmmaking isn't terrible, as the pace works quite well, but on the whole there's a lot more justice that could have been done to make this interesting topic an interesting movie. Grade: 39   The Angr

The Rest of 2016, Part 1

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In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. First up, a trio of big blockbusters from early on in the year... Deadpool - Buy it, and eat some chimichangas while you're at it.  Deadpool is not your parents' superhero movie, and it also is one of the few superhero movies you wouldn't want to watch with your parents. Ryan Reynolds might have just saved his career with his witty delivery, and the way this film pokes fun at itself and other superhero movies is impeccable. The direction of these action sequences is also really solid, and the effects are done well too. It's a wild time an

La La Land (2016)

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There are times when I sit down to watch a movie, expecting the world, and I get something that underwhelms me. I really don't like that feeling of being disappointed by films I really look forward to. On the other hand, there are times where I'll sit down with no specific expectations besides a film being good and get absolutely blown away. La La Land  is definitely one of the latter. I didn't have any idea what to expect from this movie. I loved director Damien Chazelle's last film Whiplash  because of its editing and incredibly tight pace, and I have really enjoyed what I have seen from Ryan Gosling and Emma Stone recently; however, I still had no idea what I was getting into with this film, aside from the fact that it would be good. From the opening frames, my jaw dropped. La La Land  is a film from a bygone era and harkens back to the musicals from the 1950s such as Singin' in the Rain . This is seen so easily through the direction of the musical number

Passengers (2016)

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I love science fiction films. The Star Wars franchise has a near and dear place to my heart, as well as more recent films like Interstellar , The Martian , and Gravity . I love how people are getting really interested in these films again and also that the special effects used on such films are getting really, really, really good. I couldn't even tell that Gravity  was using CGI, even though I knew it was. So, naturally, I was looking forward to Passengers . Chris Pratt is a really solid actor who has charisma like crazy, and Jennifer Lawrence is Jennifer Lawrence. Morten Tyldum also seemed like a good director from the one thing I've seen from him, 2014's Imitation Game . It was a pretty decent biopic with some minor issues, but the visual front was very well-executed, something that I knew this film would need. And to be fair, the visuals in Passengers  are great, and they're probably the best part of the film. The effects are magnificent and blend well with the