My Own Little World

I loved the first Kingsman  movie. It was such a breath of fresh air with its ridiculousness and on-the-nose parody of its genre (not too far off from what I felt Deadpool  did with its genre). Matthew Vaughn's direction made it quite a briskly-paced film as well while also having enough substance and good character writing to make it good in the slower, smaller moments. Naturally, I was looking forward to seeing this sequel after such a refreshing initial installment. Unfortunately, Kingsman: The Golden Circle  suffers dearly from a rampant disease in Hollywood: sequelitis. It's that condition that so many second and third installments have where they try to make everything bigger in scope by stuffing every second of the film with subplots upon subplots and new characters upon new characters. This typically results in very poorly paced movies where the audience is seldom given a moment to breathe. And...that's exactly what happened here. Now, I will say that if you l

In 2004, a little band from Las Vegas called The Killers released their first album, Hot Fuss . It rocked the landscape of alternative music, with singles like "Mr. Brightside," "Somebody Told Me," and "All These Things That I've Done" still being played on alt rock stations to this day. That album very much feels like a complete collection of songs and not just like a few tracks slapped together into a record. The same can be said of that album's slightly lesser successor Sam's Town . As The Killers have continued their career, they have never really been able to replicate the coherence of their first two albums. For me, that's a really big deal: album flow is one of the things I look for the most in my music. Without a good flow, albums become haphazard and feel less polished to my ears and severely degrade in quality. Thankfully, guys, Wonderful Wonderful  is an album that feels like an album. The flow here is much, much smoother t

If I was writing my review of Breaking Bad  after its fourth season, I would be telling you that this is easily one of the best things I have ever seen on television. Every season is better than the last, and the character development and pacing is more on point than any other film or TV series. However, the fifth season changes everything. In its final sixteen episodes, Breaking Bad  goes from one of the best television series of all time to one of the best things ever put to film. This is  entirely due to the show's writing. Vince Gilligan, the creator of the show, is an absolute genius when it comes to pacing and character development. In reality, despite a lot of breakneck tension and thrills through its first four seasons, Breaking Bad  is quite a slow burn of a show. The character of Walter White, brilliantly portrayed by a never-to-be-underestimated Bryan Cranston, often seems just on the cusp of turning into an absolute monster; however, somehow, someway, Gilligan and h

John Mark McMillan is the most famous guy you've never heard of in Christian music. Since penning the modern classic "How He Loves," he has largely lived in the small-but-active indie sector of Christian music, working his way from alternative rock on his debut The Song inside the Sounds of Breaking Down  all the way to folk-tinged indie on his last effort Borderland . That last one made me fall in love with the man's writing style and his ability to weave seamlessly between complexity and simplicity while never losing lyrical meaning (if you want an example, go listen to "Future/Past"). Because of Borderland , I preordered Mercury & Lightning  in January. Yes, that's over seven months ago. I have been sitting on pins and needles ever since, waiting to hear how McMillan would continue his stellar career. From where he was on his last project, Mercury & Lightning  feels like a natural progression musically. McMillan continues on his Springst