My Own Little World

I have loved Aaron Sorkin for a long time. I first encountered his writing with The Social Network and fell in love with it watching The West Wing , The Newsroom , and Moneyball . He has a very unique style with fast, witty dialogue that says a lot in very little time; when combined with the walk-and-talk technique of The West Wing , it becomes an incredibly effective tool. I have never disliked his writing, even though it does get a little soapboxy from time to time. When I heard Sorkin was going to sit in the director’s chair for the first time, I got incredibly excited. I didn’t know what kind of visual style to expect from him, but I did know that the same writing that I fell in love with would be back in full effect. With Molly’s Game , Sorkin proves himself to be a competent but not (yet) adventurous director. There are parts of this film that definitely prove there is a lot of potential, but it’s not fulfilled here. Most of this I see through the film’s length: at two ...

I'm going to say this once, and I want you to know that I really, really, really mean it. Arrested Development  is the best sitcom I've ever seen. This show has three perfect seasons, one lesser but still really solid season in its Netflix revival, and an absolutely riotous sense of humor. Its casting is perfect, its writing is top-notch, and its performances are dedicated and stellar all around. A lot of that stems from the show's biggest advantage: its humor. There's so many inside jokes that Arrested Development continually makes throughout its four season run (and will undoubtedly continue during its fifth season next year) that I almost can't explain why the humor works so well. It just does. It’s infused with a sense of irreverence and absurdity that, quite thankfully, matches the characters and the situation in which they find themselves. It is those two things that I find make Arrested Development work so well. These characters are actually quite...