My Own Little World

Manchester by the Sea makes me grieve. This is a powerful tale of emotion, a tale of life being so relentlessly brutal in the blows it deals – and in how often a single man can be reminded of those blows. It is a real film – real in the way it portrays the process of grief, the desensitization it causes to the outside world, real in the motivations and reactions its characters have. It all starts with Kenneth Lonergan. The writer-director shows here his uncanny intuition for sculpting characters in respectful, complex, and subtle ways. Manchester does not have one scene out of place: every moment has purpose and builds something into the story. Sometimes films like this one can become bloated due to their complicated character building and the many necessary subplots for doing so, but that is not the case here. In fact, as the film went on and introduced more elements I longed for all of them to be explored more – which does happen – just because these characters became s...

I love dark humor. It always has a way of sticking out way more than conventional humor because it grabs me with its shock value, and when it’s done well, it can make me laugh harder and longer than just about anything else. Game Night thrives on this kind of comedy, which is part of what makes it as good as it is. I honestly was not expecting much of this movie when I saw the marketing for it, but it actually is a really solid film. It utilizes its premise very well, it twists its plot around in the right ways, and it also has some solid comedy that often takes a darker turn, further bolstered by great comedic performances. The premise of a friendly game night is one that I’m guessing most can relate to, and its familiarity makes Game Night so easy to latch onto. For one, it is not a premise that Hollywood has touched before, so that helps it tons; however, it also pokes a lot of fun at itself and furthermore the concept of groups of couples hanging out together. If it h...