My Own Little World

I loved literally everything about Get Out . There hasn’t been a horror film that reminds me of the more classic form of the genre in the past few years that has been as inventive and impactful as this one. I love being scared in the way this film scared me with its brilliant pacing and tension. Nearly all of this is due to Jordan Peele’s writing and direction. This guy amazed me in how he was able to move into a completely opposite genre from his prior comedy work and make his first movie and not miss a single beat. There is so much tension and eeriness surrounding the first and second acts that play beautifully into the third act that I swear Hitchcock or Kubrick must have been responsible. Peele has a way of using somewhat unconventional shots in cool ways – in particular when Chris (the film’s protagonist) arrives at his girlfriend Rose’s house, using a wide shot the whole time instead of cutting close to see Chris meet her parents for the very first time. Because it doesn’...

There's something about watching these shorter shows I've been into recently. I think it's allowed me to get some much-needed variety in my binge-watching habits. Case in point: going from Unbreakable Kimmy Schmidt , I decided to watch something I had first encountered thanks to one of my bandmates: the SNL alumni project Documentary Now! My first exposure to the show came one late night while we were at our homestay for the weekend and decided to spend some quality time on Netflix. One of us suggested that we watch the second episode of Documentary Now!  because it was an absolute riot, or so he claimed. Well, now I'll claim the same thing: this show is a riot. However, what may be surprising to many of you is that, despite being helmed by Fred Armisen, Bill Hader, and Seth Meyers, Documentary Now!  is not a laugh-out-loud kind of show most of the way through. Instead, it possesses a huge amount of dramatic irony that all good parodies do. Most of the comedy i...

For the first 25 minutes of The Ridiculous 6 , I am proud to say I didn't hate it. It had jokes that missed the mark and a few subpar characters, but the setup seemed promising enough. Then a donkey literally took a crap on the entire movie, and I knew it was only going to get worse.  It's become common knowledge to those who know me that there are two immense passions in film for me: my love for the Star Wars saga and my extreme dislike of Adam Sandler. The former reached its highest point last Thursday with the release of The Force Awakens , my current favorite film of the entire year.  The latter, meanwhile, is further cemented with The Ridiculous 6 .  I didn't rule out this film, though. I gave it an honest chance, mostly because it was a Netflix original. I thought that this might be a turning point in the recent downward trend that Adam Sandler has been on over the past few years, with the only film I've liked with him being Men, Women and Childr...