My Own Little World

John Mark McMillan is the most famous guy you've never heard of in Christian music. Since penning the modern classic "How He Loves," he has largely lived in the small-but-active indie sector of Christian music, working his way from alternative rock on his debut The Song inside the Sounds of Breaking Down  all the way to folk-tinged indie on his last effort Borderland . That last one made me fall in love with the man's writing style and his ability to weave seamlessly between complexity and simplicity while never losing lyrical meaning (if you want an example, go listen to "Future/Past"). Because of Borderland , I preordered Mercury & Lightning  in January. Yes, that's over seven months ago. I have been sitting on pins and needles ever since, waiting to hear how McMillan would continue his stellar career. From where he was on his last project, Mercury & Lightning  feels like a natural progression musically. McMillan continues on his Springst...

Over the past several years, music has been undergoing a return to roots at the same time as it has been going forward. Folk music is back in the limelight, with groups like Mumford and Sons and solo artists like Vance Joy and Sufjan Stevens providing a renaissance of sorts to the genre. Of course, besides the countless radio singles Mumford has brought to the table, The Lumineers are probably the best-known group in this new folk revival, with their smash hit "Ho Hey" from their debut self-titled album. However, recently a question has arisen within this group of artists: where do we go from here? Many of these bands it seems have two choices: stay the same or go to a different genre. Some listeners are having a little bit of folk fatigue, it seems, so artists are being forced to consider which direction they should go. Now, The Lumineers' first album was a little bit of fresh air even within its own genre because of its incredibly bare-bones recording techniques...