My Own Little World

I won't talk for too long about how much I love Christopher Nolan's directing, but the long and short of it is that the man is my inspiration for even examining the technical aspects of film and seeing how they impact the emotions I feel while watching a movie. I have rated five of his films before this one, and four of them are tens (the odd one out is The Dark Knight Rises  at a nine, for what it's worth). I kind of like him a lot. That being said, I never expected him to release a film like Dunkirk . One of the hallmarks of Nolan's films is how they wear their emotions and philosophy on their sleeve. I really like this because it helps me see the connection between the filmmaking and the other stuff. The Dark Knight  does this a lot thanks to Heath Ledger's Joker, as does Interstellar  with all of its talk of the link between love and time. Now, when I heard Dunkirk  was actually a thing, I figured it would be similar in this aspect to Nolan's other fil...

Let's be honest: there's no reason for me to actually review this album. Oasis's seminal masterpiece has been acclaimed by so many different people that it's almost ineffective to say anything good about it anymore. I generally don't like to write reviews of albums that have had more than their fair share of reviews. Yet, there's this feeling that I get every single time the beginning of "Champagne Supernova" comes on that is just an incredible sensation, almost like I'm entering another world. It's an incredible piece of music and one of the most memorable album closers of all time. It's a seven minute song that just feels so much more compact and reasonable because of Noel Gallagher's songwriting and (yes, I'm being entirely serious here) his and Liam's vocal delivery. Granted, as I'm writing this review, I realize that I'm probably very under qualified to be writing anything about Oasis or (What's the Story)...