My Own Little World

I have loved Aaron Sorkin for a long time. I first encountered his writing with The Social Network and fell in love with it watching The West Wing , The Newsroom , and Moneyball . He has a very unique style with fast, witty dialogue that says a lot in very little time; when combined with the walk-and-talk technique of The West Wing , it becomes an incredibly effective tool. I have never disliked his writing, even though it does get a little soapboxy from time to time. When I heard Sorkin was going to sit in the director’s chair for the first time, I got incredibly excited. I didn’t know what kind of visual style to expect from him, but I did know that the same writing that I fell in love with would be back in full effect. With Molly’s Game , Sorkin proves himself to be a competent but not (yet) adventurous director. There are parts of this film that definitely prove there is a lot of potential, but it’s not fulfilled here. Most of this I see through the film’s length: at two ...

Generally, I go into some elaborate introduction about how I go into a film and what I expect from the people in front and behind the camera. However, I don't really have a whole lot of thoughts of that variety, so I'm just going to give you my thoughts in a nutshell. Hidden Figures is a perfectly fine film. It's not perfect, it's not incredibly artistic, and it's not an instant classic. But if there's one thing you can be sure of, it's that you will enjoy Hidden Figures  more likely than not. Most of this is due to the film's tone. Hidden Figures  has a very positive, uplifting, inspirational tone that instantly attracts and allows the viewer to very easily buy into the story the film is trying to tell. This is a rarity among good films these days, with the majority of audiences seeing darker tone as emotional complexity and depth. I actually completely disagree with this, despite my preference for darker films, so I greatly appreciate Hidden Fi...