My Own Little World

Sicario has grown on me since I first saw it a couple years ago. It is even more timely now than it was then, casting moral ambiguity onto the War on Drugs and its fallout around the U.S.-Mexico border. With its beautiful yet bleak composition from director Denis Villeneuve and cinematographer/legend Roger Deakins and excellent performances from Emily Blunt, Benicio del Toro, and Josh Brolin, that film asks a lot of questions about grey areas and, due to its construction, lets each individual audience member answer them. That’s the biggest difference between that film and its sequel, Sicario: Day of the Soldado : while in some respects it does keep pace with its predecessor, its treatment of its events’ moral standing leaves a lot to be desired. We view the actions of Alejandro Gillick (del Toro) and Matt Graver (Brolin) through the lens of Blunt’s Kate Macer, an outsider who is seeing all these grisly, gruesome acts for the first time. She bears the emotional weight of the fi...

If A Quiet Place has taught me anything, it is the importance of good sound design. This is a highly effective horror film for a lot of reasons, but the way it uses sound to its advantage creates such a tense atmosphere that I won’t be forgetting soon. It is almost entirely silent with few portions of spoken dialogue. The production team tried to make very little noise so that every on-camera sound could be amplified in post-production, and it paid off. Because the suddenly loud noises are so loud and because we know that the creatures in the film are only attracted by these kinds of sudden noises, every time those sounds occur the tension instantly goes up. It is a perfect setup for a lot of good jump scares, but it also lends itself to the character development. One of the children of the family focused on is deaf, and when the film is from her perspective all the on-set sound goes away, giving us some very suspenseful and even emotional moments. In fact, A Quiet Place ...

I've taken a little more time in prepping my year-end wrap-up this year, mostly because I was making sure I had seen everything I wanted to in theaters before publishing. Like last year, I've written mini-reviews on all the films that I either saw too far into their theatrical run to do a full review on or after their home video release. Without further ado, I present to you Part 4 of the Rest of 2015... Mission: Impossible - Rogue Nation - Buy it.  How can a franchise be this good in its fifth installment? M:I shows no signs of stopping with Rogue Nation , and neither does Tom Cruise, as he performs some of the most dangerous stunts of his career. The rest of the returning and new cast members make sure we don't lose the team dynamic that was so essential to Ghost Protocol . McQuarrie also has some great helming of the many action scenes, particularly the motorcycle chase. This is a thrill ride that keeps you on edge the whole time. Grade: 92 The Martian...

Wow, 2014 has come to a close. I've really enjoyed this year, especially in film. Over the next several posts, I'll be compiling all the films I've seen from this past year that I didn't review in full. As always, to see how I rank these films relative to each other, take a look at  my IMDB list for this year. Transcendence  - Watch it on cable.  I wanted to see this movie so much when I first heard about it. Christopher Nolan's cinematographer of choice Wally Pfister in my opinion made his films perfect visually. However, Transcendence  never really knows what to say about technology, bouncing back and forth between a the-environment-would-be-better-without-it perspective and a people-would-be-more-social-without-it view. It has such a convoluted plot and characters that fail to have a lot of dimension that all of Pfister's visually amazing direction just gets lost. Grade: 40 Edge of Tomorrow  - Buy it.  This is the most underrated film of th...

I'm going to put two of my cards out on the table before starting this review. The first: Into the Woods  is one of my favorite shows from a musical standpoint. The second: I have never seen it performed in its entirety on stage. Now that those two things are out there, let's talk about this film. I knew from the second that Disney picked up this project that it had enormous potential. They, more so than any other studio, have done musical fairy tales right almost every time they make one. When the cast list started rolling out, I became even more excited for Into the Woods . Bringing in heavyweight talents like Meryl Streep and Emily Blunt instantly brought some credibility, while the musical talents of Anna Kendrick and others would bolster the film in that perspective. Then, my school's drama department announced that this would be our spring musical, I knew I had to go see it. From the very first line, I knew that the music would be done justice. The score was wri...