My Own Little World

Having just come from Infinity War , the Marvel Cinematic Universe is reeling. The film with the largest scope and greatest stakes (along with arguably the franchise’s most menacing villain) has left all fans in a sort of mourning period. I saw that film twice in theaters, and because of its weight I felt like I needed a bit of space to process all the consequences of its insane climax. That’s part of what makes the franchise’s next entry both fitting and puzzling. Ant-Man and the Wasp takes a completely different tone than Infinity War , and that split my opinion of it. I appreciate that it does not have the large stakes and scale of most MCU films, but at the same time it also feels unimportant and almost like filler. In a similar manner to the first ­ Ant-Man film, its lightweight nature undermines its own sense of self-importance but in an even worse context for such a film because it follows a much grimmer installment. I know that that might be a strange area of criticis...

There's something to be said for old-fashioned filmmaking. Many of my favorite directors use many elements that are considered "outdated" in their films to great success (I'm looking at you, Christopher Nolan and Steven Spielberg). However, I don't think I've seen a film from the past ten years that is more old-fashioned in its style than The Hateful Eight . That's probably to be expected from a director like Quentin Tarantino. Every single film of his is an homage of some kind to a genre of film that either has gone under the radar or away entirely. He also is a film buff in the most literal sense, going so far as to pay for the installation of one hundred 70mm film projectors worldwide to show a special "Roadshow" version of The Hateful Eight  that adds an overture, intermission, and six more minutes to the already long film. From the opening credits, I noticed two things that made me feel that this film was from a bygone era: the score b...