My Own Little World

It’s rare when I have a cinematic experience that truly shocks me to my core because of a film being outside of the box. That shouldn’t be the case, but often the movies I prioritize seeing are made for the sake of making money and not to primarily send a message to its audience. This film, however, is something completely different. Boots Riley’s directorial debut Sorry to Bother You is a wild, wild ride that aims to be a protest of the systemic oppression of the fundamental truths of capitalism, albeit taken to extreme places. Its allegorical nature makes it bold and forward with its message, but its method of getting that message across is highly effective. What will make or break this film for somebody watching it is how they handle its extremely literal nature. Sorry to Bother You makes no efforts to hide its message; in the naming of its characters, the parts they will eventually play in the story are often revealed (the pro-union character is named Squeeze, the pro...

I have no words. Guys, Annihilation is one heck of a movie. It doesn’t hold my hand through its runtime; instead, it forces me to think with the iron grip of its narrative. For that reason, it is one of the most unique movies I have had the pleasure of experiencing in a theater. Of course, this film goes nowhere without director Alex Garland. I remember watching his first film Ex Machina and getting floored by the points it made about human nature by using an artificially intelligent robot to demonstrate our unique ability of attachment and how that could eventually be our downfall as a race. Besides that, that film was beautiful and brilliantly crafted, a slow burn that exploded in a pitch-perfect climax. Annihilation changes the game a little for Garland as he continues his exploration into human nature. This time, the film centers on our desires and how they ultimately will lead us to our self-destruction. Jennifer Jason Leigh’s character posits at one point that ...