My Own Little World

Spy films typically have very quick paces, moving from one set piece to another to progress the plot and eventually move towards a large twist or showdown. That’s not a problem with the genre, but it can allow characters to go undeveloped and their plot twists either too predictable or too spontaneous. When that happens, no matter how good the films can be otherwise, they feel shallow and too palatable. Shallow and palatable are not words I could use to describe Red Sparrow . This is the antithesis of a typical spy thriller, with its slow pace that focuses on the more deliberate parts of a spy’s work while also confronting Dominika’s (Jennifer Lawrence) harsh training and what it meant for her humanity. I really appreciated this actually; even though the film is long and does feel like it, it focuses a lot more time on elements of the story that might be short montages in a Bond or Bourne film. The biggest beneficiary of this slow, deliberate pace is the character developme...

Many films have great concepts. In fact, most films thrive on them, especially in their marketing, and especially if they’re not already part of a franchise. A good concept is the first step to making a good film. A good concept on its own, however, does not a good movie make. There has not been a film recently that shows this more than Bright , Netflix’s latest big film project. Directed by David Ayer ( Suicide Squad , Fury , and End of Watch ) and starring Will Smith and Joel Edgerton, it has a great concept – a cop action thriller in a world of both human and mythical creatures – but unfortunately can’t seem to make the pieces work. A huge part of this is the script. Max Landis wrote the original script that underwent a rewrite by Ayer, and it just doesn’t work. It’s extremely vulgar, which is not a critique on its own, except that it seems like the profanity is only there to remind you of the film’s rating. I’ve seen plenty of films that use very poor language but do so ...

In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time around, I've got an unexpected sequel that's not really a sequel, a weird but stellar indie flick, and Natalie Portman... 10 Cloverfield Lane  - Buy it.  10 Cloverfield Lane is one of the best thrillers I've seen in the past several years. It builds tension incredibly well between good and bad, truth and lies, and character vs. character. John Goodman and Mary Elizabeth Winstead are fantastic and give very believable performances in their respective roles. Dan Trachtenberg's direction is stunningly good for a first-timer as well. Ju...

I'm not just open to original films: I crave them.  An original film makes my viewing experience incredibly difficult because I can have trouble separating the originality from the quality of film-making present. So, when I sat down to watch The Gift , I was treated (for the first act of the film, at least) to a semi-routine stalker thriller. Honestly, it was well-directed, well-acted, and decently written. It just didn't pull me to the edge of my seat all that often. The premise of The Gift  is at least unique in a way: upon moving to a new area, a man, Simon, and his wife Robyn are approached by Gordo, one of his high school classmates, who mysteriously leaves gifts on their doorstep and shows up uninvited at their house repeatedly. The device of the gifts on the doorstep is interesting and well-executed, as we see how intrusive Gordo can be early on. However, the film remains trapped in itself for most of the first act, developing not unlike other psychological thrill...