My Own Little World

As I have become an adult, the first Incredibles movie has grown on me quite a lot. I began to realize how deep-seated its themes are and how many mature issues it tackles for an animated film; there is something special about how animated films like this can allow one’s guard to drop and communicate some heavy messages to the non-children in the room. A sequel has seemed like a pipe dream for so long that I was almost in disbelief when the announcement was made that Incredibles 2 was entering production and would be released in 2018. I think it is safe to assume that few people were nervous about this film ruining its predecessor; Pixar has done a highly serviceable job with its most beloved properties’ long-awaited sequels ( Toy Story 3 and Finding Dory being prime examples), and the return of nearly every component involved in the original eased my mind that much more. I wanted to see the return of that impeccable family dynamic that was often more enticing than the acti...

There is something about Wes Anderson’s filmmaking that ensnares me. I cannot say if it is his meticulous method, his whimsical and dry humor, or his ability to tell parable-like stories about human nature; whatever the case, his unique technique makes me love every single one of his films – even the lesser ones are still highly enjoyable.  Isle of Dogs is no different in that respect; the film's style has the same overtly charming effect on me as all of Anderson's other works. I reveled in the experience of seeing one of his films in a theater for the first time. My question going into the film was what Isle of Dogs would do to make itself different from the other films in Anderson's catalog and whether those differences would benefit or hinder the   final product. The biggest difference is the setting; Anderson has not set any of his films in the Far East yet, the closest being The Darjeeling Limited in India. Placing the story in Japan with many Japanese char...

In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time, I've got an animated Disney film that packs a punch, Woody Allen's latest film, and a Western featuring Chris Pine and Jeff Bridges... Zootopia  - Buy it.  This is one of the most insightful and timely animated movies ever made. Zootopia is a little too on-the-nose about its contemporary themes at times (and there might be too many moral lessons to keep track of), but otherwise their execution is perfect. The voice acting is top notch, and the animation of the animals is incredibly detailed and lush. The story is different for a Disney film ...

In closing the door on 2016, I realize that there are a lot of films that I have seen that unfortunately I was unable to review for one reason or another. That doesn't mean, however, that I don't want you guys to know what I think of most of these films, so just like the last couple of years I will be doing a few posts over the next month or so wrapping up all of the films I got a chance to see from this past year. This time, I've got Emma Watson, some birds with hot tempers, and musical Irish boys for you... Colonia  - Skip it.  Quite bland. Emma Watson is decent as usual, and Daniel Bruhl does a pretty good job too. However, they're not able to really do that much with their characters because of a poorly written script and a lot of cliched moments. The filmmaking isn't terrible, as the pace works quite well, but on the whole there's a lot more justice that could have been done to make this interesting topic an interesting movie. Grade: 39   The Angr...

I was practically raised on Disney animated films. I watched ones like Aladdin , The Lion King , and Beauty and the Beast growing up, and recently I've rediscovered how magical they can actually be thanks to my girlfriend and I watching them all the time. Their (mostly) timeless scores get stuck in my head so easily, and the stories, despite their target audience of children, seem to have a transcendent nature and punch way above their age bracket. However, as of late Disney has had a little trouble finding its animated musical mojo.  Yes, recent films like Tangled and Frozen have begun to turn this trend around, but forgettable films like Brother Bear and Home on the Range  still are a large blemish in the Disney catalog. To some extent, the name "Disney" in front of a film lost some of its magnitude and power. Meanwhile, studios like Pixar and DreamWorks have come alongside (and in some cases, jumped ahead of) Disney in the race for kids' attention spans....

If you're around my age, there's a pretty good chance that  Finding Nemo  was a part of your childhood, and there's also a good chance that you really enjoyed it both then and now. It is an incredibly heartfelt and emotionally rich story that just happens to be incredibly well-animated. It also stands quite well on its own. So, naturally, when Disney announced that they were making a sequel entitled Finding Dory , I was more than a little skeptical of how they were going to proceed. Finding Nemo  to me was so self-contained that there wasn't much of anywhere to go with the story. I mean, I know that Pixar has done some good work with sequels before, but they've also misfired big time (anybody else remember Cars 2  or Monsters University ?). Thankfully, Finding Dory  definitely fits into the better half of Pixar's filmography. It is surprisingly engaging and a natural progression of the first film's story, and also has some of the best animation Pixar h...

Wow, 2014 has come to a close. I've really enjoyed this year, especially in film. Over the next several posts, I'll be compiling all the films I've seen from this past year that I didn't review in full. As always, to see how I rank these films relative to each other, take a look at  my IMDB list for this year. Transcendence  - Watch it on cable.  I wanted to see this movie so much when I first heard about it. Christopher Nolan's cinematographer of choice Wally Pfister in my opinion made his films perfect visually. However, Transcendence  never really knows what to say about technology, bouncing back and forth between a the-environment-would-be-better-without-it perspective and a people-would-be-more-social-without-it view. It has such a convoluted plot and characters that fail to have a lot of dimension that all of Pfister's visually amazing direction just gets lost. Grade: 40 Edge of Tomorrow  - Buy it.  This is the most underrated film of th...